Excitement was in the air as we left Page, Arizona, heading toward our next destination at Bluff, Utah. Happily, our route along Hwy 163 took us through one of our bucket list “must-see” places, Monument Valley. It’s striking landscape is the most photographed area lying entirely within Navajo Indian Reservation territory along the Utah/Arizona border.
Excitement abounds as we enter Monument Valley
The Navajo name for the area is Tse Bii’ Ndzisgaii, meaning “valley of the rocks.” The sandstone buttes and mesas have been used as a backdrop for more than a dozen movies (including Forest Gump), and driving amongst them brought home the beauty of that backdrop for us.
The small town of Bluff (population 258 as of 2015) was our base camp for exploring ancient ruins and rock art. It’s in the center of the Four Corners region where ruins of Anasazi communities have been found not only in Utah but also in Colorado, Arizona and New Mexico. The region is known as the Utah section of the Trail of Ancients, where Ancestral Puebloans (Anasazi) occupied from approximately A.D. 1 to A.D. 1300. Some of the remarkable remaining remnants left behind have easy access, but most require a drive and a hike, while still others exist in inaccessible back country areas.
Sand Island Petroglyphs
The easiest site to find here was the Sand Island Petroglyph Panel, located within the Bureau of Land Management (BLM) Sand Island Recreation Area just 3 miles south of Bluff. The petroglyph panel stretches more than a hundred yards and features hundreds of petroglyphs of every style.
The panel is registered in the National Register of Historic Places
This small section alone has numerous types of petroglyphs, most notably big horn sheep
Amy and May certainly weren’t ancient inhabitants. Vandals force ugly fences to be installed around these precious works
The famous Wolfman Panel is about four miles west of Bluff along Butler Wash Road and just a mile from Utah 163. It’s a large, crisp and artistic group of etchings on the cliffs bordering the east side of Butler Wash. The panel has designs that include a mask, shields, human figures and the wolfman himself. Unfortunately, some of the artwork had been damaged by one or more morons shooting the rock with guns.
This is said to be a Basketmaker II style of petroglyph
Monarch Cave Ruins
Getting to these ruins required a 7-mile drive down Butler Wash Road (a dirt road in good condition), then a 1-mile hike toward a large alcove surrounded by colorfully-streaked cliffs above a permanent pour-over pool. The site has one main ruin, several lesser structures and many petroglyphs colored yellow, green and white, in addition to the usual red. The main area had been closed off as it has been become unstable and dangerous.
Living up high on a cliff
Indentations on rocks caused by grinding grain, showing evidence of life
Images on the rock that are painted on the surface with natural materials are called pictographs.
Living this high up a cliff guarantees a great view and safety from enemies
Grand Gulch Ruins
Once again our favorite hiking tipster Pam came through, pointing us to one of the ruins she and John (Oh The Places They Go) hiked called Junction Ruin. The trailhead is located west of Hwy 261 and south of Natural Bridges National Monument. The area is called Grand Gulch Primitive Area, and it’s a sprawling canyon system is home to a rich collection of American Indian rock art. Access requires a permit at Kane Gulch Ranger Station for day use and/or backpacking.
Initially our goal was to visit Junction Ruin as John and Pam had (click here for the details of their hike). It’s a large cliff dwelling built on three levels, and a fascinating complex consisting of storage units, habitation rooms, kivas and defensive structures.
Peering into a small storage room
After perusing those ruins we met a group of backpackers who urged us to continue another 0.8 miles to see Turkey Pen Ruin. Onward we went to discover that these ruins encompassed a number of structures, along with some pictographs. Just like Junction Ruin, a metal box at the site contained descriptions of the scene and the structures it held.
The actual Turkey Pen is a jacal structure near the west end of the habitation area, and although its purpose is unknown, it didn’t look like it was used to hold turkeys.
We didn’t intend to hike 9.2 miles, but seeing both ruins made it more rewarding despite the uphill climb on our way out.
Natural Bridges National Monument
Tucked away in White Canyon, Natural Bridges National Monument shows off three natural stone bridges. The park ranger recommended we follow an 8.6-mile trail that connected all of them in a long loop hike. This trek really showed up-close how the power of water cut two deep canyons and formed three massive sandstone bridges.
The world’s second highest natural bridge – Sipapu Natural Bridge
Descending into the canyon, we passed and crossed under the “Sipapu” “Kachina,” and “Owachomo” bridges. They were named after Native Americans who once lived in the area. Along the way we saw rock art panels and checked out Horsecollar Ruin.
This well-preserved ruin’s name came from the doorways of two granaries resembling horse collars
We wondered what these drawings meant
We discovered the rock art panel when eagle-eyed Steve spied it high up on a wall not easily visible from the trail. It was near the end of our hike, which due to our extra wanderings had tallied up 11.6 miles on the GPS. It was a long and satisfying hike!
House on Fire Ruin
Our final stop that day was the House on Fire ruin. Consisting of about five rooms, its name comes from the patterns in the alcove’s red and white sandstone ceiling that look like flames shooting from the roof of the structures.
The best time to capture this effect is midday when the light from the opposite canyon bounces across to the ruin. Unfortunately it was 5:30pm by the time we arrived after our all-day “Bridges” hike, so conditions for my pictures were not ideal. This trek added another 1.5 miles to our total for the day, and we were exhausted but happy to see it while in the area.
Visiting ancient ruins gives us a glimpse into parts of Anasazi life, and the remnants tell tales of their daily toils. Images and art chiseled/painted on rock walls are impossible to decipher, but they must have had special meaning to the people who created them and the descendants who followed. Those first residents left us fascinating food for thought, and we can only imagine what their lives must have been like way back then.
Next up: Let’s take a drive!